Ah! A novel, eh? Think I'd better go HOME

Er..have you something a little more picaresque?

Or just a bit shorter?

— After all, life is much easier for the unpublished than the published author.
— What's the difference? asked Amanda, right on cue.
— Why, before you're published, people ask you what's your book about? Afterwards, everyone tells you.
— Oh, I wish I'd said that.
— Well, sod off, Oscar, 'cause I said it first.
Fardel's Bear, part 11


It's the first few chapters of a book I've been working on for the last 100 years
AND FINALLY BLOODY FINISHED a week ago (Jan 2003)!!!!

It's not called a novel anymore. The novel is dead. This is an installation in words(!)
(It's worth pointing out that though a couple of the characters have the same names as
real people, mostly living, the characters have been changed out of all recognition
and are not in any way meant to represent those people as such
— in fact, nearly everybody except Dai is based on me!)
If you like what you see and can't wait to read the dirty bits, consider what you can do
to keep me going in the not-quite starving manner suitable to a literary genius.

And now, if you fancy reading the whole thing, it's available here as two rtf files
and maybe as epub, Kindle and Sony Reader format files too.
If I've not done that yet, just download Calibre and convert
— assuming you don't just want to print the bugger out.

This message particularly applies to publishers of REAL books
who should contact me NOW to discuss contracts!

Fardel's Bear

an Attic Comedy

by J D Lowe

Graecum est: non legitur

But if tomorrow wasn't just another day …


Plap! The rain seeps through the roof and
Plap! The water drips into the bowl and
Tap Tap Tap! The words form on the paper
Plap!

Rumbling and rattling the room vibrates as by the train passes and stops then the tapping as plip plap and plopping goes on as the rumbling continues, an empty can labelled with Heinz Baked Beans sailing, out through the window and through the air and through the rain across the road and falls to the ground, lost in the weeds, short of the train, short of the cutting as the train rattles on and the rumbles subside
and the man swears.
Up in the garret, high over the road, above the tracks and impervious train, the man, the literary genius, his thoughts interrupted, swears.
Plap! The ceiling leaks into the bowl. The tapping resumes its counterpoint and continues to the end of the chapter tap plap plap tap plap tap tap tap tap plap.





After the rain, the sun: look down in the street. See! There is Wendy, four flights below.
Now here comes Heidi along the road, walking home, bag full of bottles and beans. Wine for the wild party, beans for eating, bottles to throw.
Wendy enters the house, lengths clear of Heidi who now accelerates along the home straight. But what's this? It's the landlady! Yes, little old landlady moves in on the right, hurrying to intercept Heidi and they're neck and neck racing to the doorstep and I think it's going to be — yes it is, it's a dead heat! And there's going to be trouble here. It looks like they're arguing about something. Landlady wades in with a claim for twenty days' back rent — and this is sure to get Heidi going, a spirited filly this one, impetuous when roused and she's certainly getting angry right now. And she's reaching into her bag for something: it's a wine bottle and I think it's — it is indeed, it's a knockout. Landlady is out cold on the steps and the victor enters the house in triumph.
My, what a contest!





From out of the mouth came forth sounds. And the sounds formed into words; musical, poetic, inspiring to the ear of the literary genius.
— I see you couldn't be bothered to tidy the room. (The wet-look strip show begins with a coat hung, dripping, on a hook)
— Literary geniuses don't tidy rooms.
— But their wives throw bottles. (This one also throws shoes). Written much? (Socks laid across a chair back)
— Two or three pages and a few notes.
— You'll not change the world much at this rate. (Soaking trousers peeled off wet legs and neatly folded over the chair)
— Am I supposed to care about that?
— You tell me. You're the literary genius. (Breasts fall free from wet wool pulled over head, dropped in a corner)
— I ate a tin of beans.
— I see no empty tin. Where can you have put it? (Off come the panties, full-frontal nudity). Not in the waste bin? You're never that tidy. (Lies on the bed now, stretching and sighing)
— I threw it at a train.
— You'll get into trouble, throwing things out of the window. (Rises and fetches a clean towel from the drawer, rubs dry her damp body and lies down again, towel between head and pillow)
— It's all part of the image for us l.g.'s. Anyway it missed - landed in the weeds in the embankment.
— What on earth did you throw it for anyway? (Lying on her back, staring at the ceiling)
— The Muse was upon me. I was inspired, in full flow, words tumbling from the typewriter like rivers of gold… Then this bloody train comes along and fucks up the rhythm. 'Twas a futile gesture of anger and defiance at the destruction of Art by the Machine Age.
— Hoo Ray! Apollo would be proud of you, if he hadn't died with your woolly romanticism. I suppose if some cat gets its paws cut up on the lid, it's just an unfortunate casualty in the war between culture and the Philistine? (Stretches, then relaxes, legs apart, body warm, soft and inviting) None of that. I'm hot, sticky and tired and I want a piss. (Brushing aside the advances of the literary genius, walking out of the room and down the stairs. Left behind, he is despondent but smiles on hearing Wendy exclaim in exasperation)
— Heidi!!



I'm almost scared to ask but if I READ ON will it get any better?

I wish I'd gone HOME sooner